Sunday, May 7, 2017

Left or Right?

Homeward Bound
Just last Sunday, the last Sunday of April, 2017, I had gone to attend the marriage function of my daughters’ very dear friend. My daughters had reached the day before and I was motoring down alone, my wife having stayed back to be with my mother.

To reach the venue, I had to travel South from home for about 35 km and then turn West off the highway and roll on for another 3-4 km on a narrow winding road past a ‘bhileez’. Halfway down the highway, my car’s AC decided the heat was too much wanted to take the other way. So it went out. I had to vent out the heat through the windows. Fortunately, it being its own day, the sun had likely woken up late and was only beginning to warm up so it was manageable.

My short journey was without incident and I reached just in time for the ‘muhurtham’. The hall was imaginatively designed. There was a central square where the marriage ceremony was conducted. This was surrounded by a tiny moat. On the outer periphery, there was a gallery setting where all the guests sat. Very nicely decorated with flowers and all. I sat in a corner near a huge pedestal fan which was blowing air laden with rose-scented water into my face. I felt like a rose garden. So much so that someone came up to me and asked me “Aap Gulabi ke fother hain?” I rose from there and took another seat. Wah!

Lunch was a quiet affair without much ‘halla-gulla’. There was a tasty pilaf followed by a superb rasam to go with the plain rice. And there was a sweet dish called "pheni" but no rossogulla. Having filled myself right up to the Plimsoll line, I lolled around for some time but forbore to take a nap. The heat, the good lunch courteously served and the absence of a nap all contrived to get me into a half-stupor as I took my leave.

When you get into any kind of a stupor, don’t drive ‘tod upor’. I checked the car AC. It was snoring gently so I decided not to risk any confrontation by waking it up. I rolled the windows down to “hawa aane de” mode. As I drove out of the gate, the heat was beating down and the road appeared to be ululating in front of me. No, not ululating. Pulsating. Doing a jig. I was seeing mirages. The result was that I took a different route out of the village from the one I had used to get in, and got confused not a bit. It would be wrong to say I was lost but maybe I was just a little disoriented. The compass in my head had stopped working. My mobile signal and GPS too appeared to have stepped out for a breather.

I neared what looked like the main road and stopped beside a couple of misguided pimples sitting by the roadside, apparently passing the time of the day, to clarify my doubt whether to turn right or left for Bangalore. Of course, I didn’t know they were misguided or pimples but they had “no good” written all over them. But there were no other excrescences around and these were the only blots I could ask, so I asked them. And I was told to turn right. Something about the tone of the voice put me on alert. It sounded like it was waiting to laugh. The boil who told me to turn right might have slapped the back of his jobless sidekick in glee, but I didn’t see it as I was occupied looking at the road ahead. I did hear a kind of slapping sound, though.

This advice to go right didn’t sound right and I decided to seek a second opinion. I first shook my head three times vigorously, mentally poked my brain awake with the nib of my fountain pen filled with a compassionate violet ink and washed it (the brain, not the nib or the ink or the pen) with cold water. Then, I drove a little further and, slowing down near an old man, put my head out and shouted the question to him, “Bengaluru lefta, righta?” He leaned towards me as far as his neck would allow and told me in an equally loud voice, “Bengaluru leftu!” For good measure, he gesticulated towards the left with his left hand. Two other chaps standing near him nodded to their left in affirmation. I nodded back courteously in appreciation of the sincerity in the voice and the vigorous gesticulations, put my head back in and turned left as advised.

Just then the GPS sauntered back to my mobile holding the signal's hand and told me that left was right and right was wrong. I wanted to go back and shake the old man by his hand and the misguided young rascal by his neck, but calmer sense prevailed and I continued homeward without further let or hindrance. Quite an eventful Sunday it turned out to be.


GLOSSARY:
Bhileez > village
Muhurtham > the auspicious time to perform any important function, like a marriage
Aap Gulabi ke fother hain? > Are you Gulabi’s father?
Halla-gulla > a colloquial term for commotion
Rasam > a kind of a South Indian soup with tamarind juice, tomato, lentils and salt,  seasoned with spices like chilly, pepper, cumin, mustard, etc, and garnished with curry and coriander leaves.
Pheni > a kind of stringy thin rice noodles over which sweetened milk, flavoured with saffron, almonds and cardamom, etc. is poured before it is eaten
Tod upor > a Bengali term meaning “on top of it” or “afterward”
Rossogulla > a highly popular sweet believed to have originated in Bengal and Odisha (there are claims from both regions), made from Indian cottage cheese shaped into round dumplings and soaked in sugar syrup
Hawa aane de > a Hindi term meaning “let the air pass”

© Shiva Kumar, 4th May 2017


Monday, May 1, 2017

THAT RAIN



THAT RAIN

This thing about going to watch a movie, huh, with me, happens like this:

Earlier in school, I overhear one of my classmates praising Rahul Dev Burman and his music. I don’t know much about RDB or his music. I want to find out for myself.

The show is at 3:30 p.m. Matinee. Rather popular movie, The Train, and still in its first week run so better be at the theatre by 3. Just a stone’s throw away from home. Bricks walk.

3:01 – Entrance to Theatre Lavanya is crowded. Push through the crowd to the Dress Circle ticket counter. Some twenty three guys lining up. All of them seem to be from one group or one family. Though why entire families should come and watch “The Train”, I don’t know. Stupid families. It is something everyone knows about. Second largest railway network in the whole world, one engine pulling many coaches, to stop train pull chain and all that sort of thing. If you ask me, one senior member should watch the fleem and then relate the happenings to his family, friends, neighbours and well wishers over a leisurely dinner. Instead of wasting money bringing Abba, Ammi, Chuchha, Chucchi, Bhaijaan, Behaniya, Chotu, Motu and their neighbours Doosra, Saamy, Murgais, Super, Topi, Motte and Selva too along. The only one left behind must be their mongrel, Leader. Auto ka kharchaan, ticktaan lenaa, phir pop corn aur chipsaan aur mango juicaan ka kharchaan, upar se fleem mein dialogaan kya bhi sunneko, samajhneko sar phiraana, museebataan jhael leko, gaaliyaan de deko thak jaanaa, yeh kya ba pareshaani!

Still and all, having come so far, better not go back without a dekko. Itr lagaa ke line mein lag jaao.

3:10 – Stand in the line for Dress Circle tickets. Everyone is dressed and circling around like birds of prey.  No itr. Only fikr. Suddenly spot “Ondreˊ” Mani (Ondreˊ in Tamil = One and a half). His father is a fleem distributor so he should be able to do something and get me one ticket. Greet him like old friend which, in any case, he is. He understands what I want even before I aks. Just says “Weight hear.” I understand and wait there.

3:20 – Still no sign of OM. Yeh kya ho raha hai? From inside the hall I can hear an excited hum. They have begun to show slides I think. Lights are dimmed in the lobby. Meanwhile, the crowd outside has thinned. Whole families have shifted to one of the other neighbourhood theatres. These theatrewallahs have an arrangement, I suspect, to start their fleems at fifteen minute intervals, to make the left over crowd from one theatre spill over to the next. Bahut smart.

3:25 – There he is! Old friends don’t ditch their old friends. Walks up to me and presses a pass into my hand and says “enzoy”. I thank him and run in. The slides have just stopped and there is a lull. The usher ushers me to my seat and I slide in. Aisle seat, thankfully. Tanks ba!

3:30 – Gun time. Suddenly, there is the sound of curtains being drawn and doors being closed. The lights go off and there is an expectant silence. Time.

3:33 – Fleem starts to roll. Action! And soon there’s a song.
            Lallallalla la, la la la la la la la and so on.
            Bulaagi eyes.

Intermission: Come out and look at the notice board. Scenes from the fleem. Too much of a crowd at the snack counter. Get back inside.

Trailer of some fleem, followed by ‘nuther trailer of ‘nuther fleem.

5:45 or so – the fleem is over and I come out into the cool air. Nothing much to say except that the songs are good.

There was Rajesh Khanna. There was a Rafi solo which was too good and a Rafi-Lata duet which I liked. There was also an RDB-Asha duet which was enjoyable. A couple of other songs. Hummable. I don’t remember much of the story. Fleem dreckted by Ravee Nagaich. Uthaach. Let me watch it again and I’ll post a review. Weight hear.




-          © Shiva Kumar 1st May 2017